Kontribusi Industri Film Korea Selatan Dalam Membangun Citra Nasional: Pelajaran Apa Yang Dapat Diambil Oleh Indonesia?

Salsabila Khairunnisa, Agus Trihartono, Fuat Albayumi

Abstract


This article explains the efforts made by South Korea in building a national image through the film industry. Furthermore, this article explains the lessons that Indonesia can take from South Korea in strengthening nation branding through the development of the Indonesian film industry. This study uses a qualitative descriptive method with secondary data sources obtained through literature studies. This research shows the efforts of government actors by providing financial assistance, promotion, and providing supporting facilities for filmmaking. Meanwhile, the role of South Korean non-government actors is to assist in the entire pre-production process to the promotion of South Korean films. South Korea's success in building a national image through the film industry can be a good example for the Indonesian film industry. Indonesia can strengthen the role of government and non-government to develop the film industry like South Korea. In addition, Indonesia can provide support to its film industry, starting from pre-production activities to promotions.


Keywords


National Image, Film Industry, South Korea, Indonesia

References


Anholt, S. (2007). COMPETITIVE IDENTITY The New Brand Management for Nations, Cities and Regions (1st ed.). Palgrave Macmillan.

Ayhan, K. J. (2017). Korea’s Soft Power and Public Diplomacy Under Moon Jae-In Administration: A Window of Opportunity. May.

Barker, T. (2019). Indonesian Cinema after the New Order. In Indonesian Cinema after the New Order. Hong Kong University Press. https://doi.org/10.5790/hongkong/9789888528073.001.0001

Bicker, L. (2020). Parasite: What the Oscar win means for Korean cinema. https://www.bbc.com/news/world-asia-51449513

BPI, B. and. (2018). On site Indonesia Film Industry. Badan Ekonomi Kreatif Indonesia.

Council, K. F. (2018). Korean Cinema 2018. Korean Film Council.

Fan, Y. (2010). Branding the nation: Towards a better understanding. Place Branding and Public Diplomacy. https://doi.org/10.1057/pb.2010.16

Hanan, D. (2017). Regions and Regional Societies and Cultures in the Indonesian Cinema. In Cultural Specificity in Indonesian Film. https://doi.org/10.1007/978-3-319-40874-3_4

Ho, P. D. (2011). Korean Film Council. https://culture360.asef.org/resources/korean-film-council/#:~:text=A maximum of 600 million, (maximum 1.8 billion won)

Hong, K. (2014). Nation branding of Korea. Cultural Policies in East Asia: Dynamics between the State, Arts and Creative Industries, 69–84. https://doi.org/10.1057/9781137327772

Kim, J. (2020). 2020 Global Hallyu Trends (1st ed.). Yong Rak Kim.

Kim, M. (2019). Hallyu in Film. In K. F. for Research Team & I. C. Exchange (Eds.), Hallyu White Pape 2019 (pp. 35–66). Korean Foundation for International Cultural Exchange.

Kim, Y. (2022). The Soft Power of The Korean Wave: Parasite, BTS and Drama. In Routledge. Routledge. https://doi.org/10.2307/j.ctv138wr8f.13

Korean Culture and Information Service. (2021). Photo Exhibit Focuses on Top Korean Actors. https://www.kocis.go.kr/eng/openCulturalNews/view.do?seq=1040902&regCode=REG0001&regCodeList=&page=1&pageSize=10&photoPageSize=6&totalCount=0&searchType=null&searchText=

Korean Film Council. (2013). Status & Insight: Korean Film Industry 2013.

Korean Film Council. (2019, May). Korean Cinema Today. Korean Film Council, 34(May), 6–17.

Lee, S. (2019). Rediscovering Korean Cinema. In Michigan Publishing. Univesrity of Michigan Press. https://doi.org/10.3998/mpub.10027126

Lee, S. J. (2011). The Korean Wave: The Seoul of Asia. The Elon Journal of Undergraduate Research in Communications, 2(1), 85–93.

Lee, S. T. (2021). Film as cultural diplomacy: South Korea’s nation branding through Parasite (2019). Place Branding and Public Diplomacy, 2019. https://doi.org/10.1057/s41254-020-00192-1

Ministry of Foreign Affairs. (2020). ASEAN Film Festival 2020 to Take Place. https://www.mofa.go.kr/eng/brd/m_5674/view.do?seq=320456

Oh, I. (2013). The globalization of k-pop: Korea’s place in the global music industry. Korea Observer, 44(3), 389–409.

Paquet, D. (2009). New Korean Cinema. Breaking the Waves. In Columbia University Press. Columbia University Press.

Pulver, A. (2019). Bong Joon-ho’s Parasite wins Palme d’Or at Cannes film festival. https://www.theguardian.com/film/2019/may/25/bong-joon-hos-parasite-wins-palme-dor-at-cannes-film-festival

Tae, K. K. (2015). K-Movie: The World’s Spotlight on Korean Film (2nd ed.). Korean Culture and Information Service - Ministry of Culture, Sport and Tourism.

Tamara, R. W. (2017). Potensi Film Sebagai Sarana Diplomasi Publik Indonesia (Partisipasi Indonesia Dalam Berlinale International Film Festival). E-Journal Hubungan Internasional, 5(3), 1011–1024.

Woo, K. J. (2021). 2021 Global Hallyu Trends (1st ed.). Korean Foundation for International Cultural Exchange (KOFICE).

Yong, D. J., & Yoon, T. J. (2017). The Korean Wave: Retrospect and prospect. International Journal of Communication, 11, 2241–2249.




DOI: https://doi.org/10.37849/midi.v22i1.293

Refbacks

  • There are currently no refbacks.


Copyright (c) 2022 Majalah Ilmiah Dian Ilmu

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

View My Stats

 

Sekolah Tinggi Ilmu Administrasi (STIA) Pembangunan Jember

Jln. Lumba-lumba No. 9 Kelurahan Sempusari, Kecamatan Kaliwates, Kabupaten Jember Kode Pos 68135